Fairy Queen
Die DVD Henry Purcell: The Fairy Queen jetzt portofrei für 19,99 Euro kaufen. Mehr von Henry Purcell gibt es im Shop. The Fairy Queen - Die Feenkönigin. Semi-Opera von Henry Purcell Uraufführung London In deutscher Sprache. Musikalische Leitung Wolfgang Rögner. Die CD Henry Purcell: The Fairy Queen jetzt probehören und für 17,99 Euro kaufen. Mehr von Henry Purcell gibt es im Shop.Fairy Queen Pacanele online: Fairy Queen Video
Queen - My Fairy King (Official Lyric Video) Details Oper Turandot. Das erste Maskenspiel bietet der zweite Akt, wo die Geister der Nacht, des Geheimnisses, der Verschwiegenheit und des Schlafs auftreten und die Feenkönigin Titania Sigma Bank Auszahlungsdauer einer Reihe von Elfenspielen Veranstaltungen In Duisburg Am Wochenende den Schlaf singen. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. The Fairy-Queen ist eine Masque oder Semi-Oper von Henry Purcell. Die Uraufführung des Werks erfolgte am 2. Mai im Queen's Theatre, Dorset Garden in London. Das Libretto ist eine anonyme Bearbeitung des Sommernachtstraums von Shakespeare, als. The Fairy-Queen ist eine Masque oder Semi-Oper von Henry Purcell. Die Uraufführung des Werks erfolgte am 2. Mai im Queen's Theatre, Dorset Garden. Fairy Queen (engl. „Feenkönigin“) bezeichnet: die Königin der Feen in der keltischen und angelsächsischen Sage; die Feenkönigin in der Dichtung. Henry Purcell komponierte mehrere solcher Werke. Der Text von The Fairy Queen präsentiert eine Variante von Shakespeares Sommernachtstraum, worin die.Changing tastes were not the only reason for this; the voices employed had also become difficult to find. The list of singers below shows the frequent employment of the male alto, or countertenor , in the semi-opera, a voice which, after Purcell, essentially vanished from the stage, probably due to the rise of Italian opera and the attendant castrati.
After that Romantic opera emerged, with the attendant predominance of the tenor. Until the early music revival, the male alto survived mainly in the ecclesiastical tradition of all-male church choirs and twentieth-century American vocal quartets.
However, Purcell's music and with it The Fairy-Queen was resuscitated by two related movements: a growing interest in Baroque music and the rise of the countertenor, led by pioneers such as Alfred Deller and Russell Oberlin.
The former movement led to performances of long-neglected composers such as Purcell, John Dowland , John Blow and even George Frideric Handel , while the latter complemented it by providing a way of making such performances as authentic as possible as regards the original music and the composer's intentions less true for Handel, where countertenors appear as castrati replacements.
The format of the work presents problems to modern directors, who must decide whether or not to present Purcell's music as part of the original play, which uncut is rather lengthy.
Savage calculated a length of four hours. A bold approach was taken at the Brazilian Opera Company's staging by Luiz Päetow , with the libretto becoming unstuck in time.
In July , two months before the th anniversary of Purcell's birth, The Fairy-Queen was performed in a new edition, prepared for The Purcell Society by Bruce Wood and Andrew Pinnock, which restored the entire theatrical entertainment as well as the original pitch used by Purcell.
The role of Mopsa was originally performed by a soprano; however, a later revision by Purcell stated that it was to be performed by "Mr.
Pate in woman's habit", presumably to have a grotesque effect and highlight the refrain "No, no, no, no, no; no kissing at all" in the dialogue between Corydon and Mopsa.
The record is ambivalent as to whether Purcell himself a countertenor used a tenor with a particularly high range though lighter at the top and tessitura known sometimes as an haute-contre , the descendants of the contratenors alti of medieval polyphony or a falsettist.
It seems that throughout his career he used both. For a list of non-singing characters see A Midsummer Night's Dream , with the exception of Hippolyta.
That character was cut by Purcell's librettist. For the plot of the play see A Midsummer Night's Dream. Only a synopsis of scenes provided with music is given here.
The first scene set to music occurs after Titania has left Oberon, following an argument over the ownership of a little Indian boy.
Two of her fairies sing of the delights of the countryside "Come, come, come, come, let us leave the town". A drunken, stuttering poet enters, singing "Fill up the bowl".
As a fairy , she was a caucasian female with blue eyes and blonde hair. She wore a multi-colored dress, green heels, a pearl necklace around her neck and a silver crown with a red gem atop her head.
As a frog, she retains the aforementioned accessories but her skin becomes green and covered with warts and she wears green leggings instead of heels.
She also loses her wings. The Fairy Queen is shown to be extremely pretentious and self-centered, revelling in her own beauty and labelling herself "the most beautiful of them all".
In Disney's series of films based on Tinker Bell , a fairy character originating in Barrie's novels, the fairies are shown to be ruled by a Queen Clarion.
In Brandon Mull's Fablehaven series, the Fairy Queen is an essential part of the plot making key characters extremely powerful. The character Erza Scarlet from Hiro Mashima 's Fairy Tail rightfully earned the alias "Titania" due to her overwhelming power being well known throughout the series' fictional land of Fiore.
In Foxglove Summer , part of the Rivers of London series, the protagonist Peter Grant is captured by the Fairy Queen and taken off to her Kingdom an alternative reality or Otherworld where Britain is still covered with a massive unbroken primeval forest , with no sign of the familiar towns and villages , and is saved with difficulty by his girlfriend who is a River Goddess.
The concept of a Dianic queen of spirits influenced the neopagan cultures developed from Charles Godfrey Leland 's concept of Aradia "Queen of the Witches".
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Fairy Queen - Henry Purcell: The Fairy Queen
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